A while ago, I had a funny experience in a drug store. Not ha-ha funny, but odd funny. On the one hand, it was a small incident of little significance, but I couldn’t shake it. Naturally, I wrote about it–a brief vignette of a moment that bugged me. Continue reading “Now You See Me”
Last night, after several months of absences, I attended the Open Mic offered by my town’s arts alliance. I did not read. I don’t always have short pieces to share, but that’s okay, because listeners are as welcomed as participants. Readers shared poetry and spoken word, short prose pieces, some novel excerpts, a music duo, and a haiku plus bongos performance. You never know what will happen at an Open Mic, and that’s the fun of it. Continue reading “Living in the Active Voice”
I didn’t notice the man until he pulled out a chair at my library table. It was meant to seat four but I’d spread out my laptop and bag, stacked some books and opened a notebook to show I was Working. It was a quiet weekday morning, and there were lots of empty carrels. No one had any reason to sit with me.
This man did. I looked up, surprised. I didn’t recognize him but he said hello. He was holding a book, which he set in front of him as he sat. He didn’t open the book. I looked at it and was surprised again. The man’s hands were shaking.
“Ramona?” he said. “You’re Ramona, aren’t you?”
Oh. He knew me. That was a relief. He wasn’t a weirdo. He was tall and dark-haired, early 30s maybe, but he wasn’t smiling as you do when you greet someone you know, and his hands now clutched the book as if he was nervous.
I smiled and said, “Yes, I’m Ramona,” in an appropriately quiet voice while my thoughts shifted to the possible places I’d have encountered him.
“You don’t know me,” he said, before I could fumble out an awkward “Who are you again?”
“I was at the Deer Park last weekend, for the Edgar Allan Poe event,” he said. “You read a poem.”
Another oh. It wasn’t a poem, actually, it was micro-fiction piece. 144 words, with pacing that could be mistaken for a poem when read aloud. Which I had done. Me and a dozen plus other writers, at an annual local event honoring a famous American author. The place was full of Edgar Allan Poe fans. Before reading, I’d had a couple of glasses of wine. I couldn’t remember every person there.
“It was a fun event,” I said, diplomatically, still wondering why he’d approached me. And why was he nervous?
“I just wanted to say how much I enjoyed your piece,” he said.
Wow. What a lovely thing to say. “Thank you! That’s so nice of you,” I said, genuinely touched, though still a bit mystified. Maybe he was a poet himself, and too shy to get up and read at the open mic. Was he looking for encouragement? I could do that. I’d be happy to do that. “Are you a poet?”
He said yes, but that was all, his face both open and inscrutable. I found myself clutching the edge of my laptop the same way he was clutching his book. Something else was happening here, a something else I seemed to be part of, but didn’t understand. I waited.
“I have a two-year old,” he said, the words coming out in a rush. “My wife stays home with him. For months she’s been saying how lonely she is when I’m at work. I never really understood what she meant until I heard you read ‘Countdown’.”
“Countdown” was my poem that wasn’t a poem.
“I went home and thought about it all night. I told my wife about it. I said I’d try to get home earlier and be more understanding.”
He loosened his death grip on the book and put his hands on top of it. They’d stopped shaking, I noticed. I also noticed that he smiled. Just a little one, and maybe it was a little sad, but it was a smile. He cocked his head toward the chairs under the window. “I sat over there for five minutes, staring at you, trying to work up the courage to tell you. I hope you don’t think it’s weird.”
“No,” I said. Weird? It was the biggest compliment I’d ever received, the biggest I could imagine. “I don’t think it’s weird. I can’t tell you how touched I am.”
He stood up. “I just wanted you to know,” he said, and now he seemed a little embarrassed. He said goodbye and left before I could ask his name or more about his work, or if I’d see him again at the next open mic.
That was sometime in 2008. I never saw this man again. When I think of him, I call him Joshua. No particular reason. He just looked like a Joshua.
“Countdown” was about one day in a young mother’s life, when her isolation feels overwhelming. I wrote it in a single morning, sitting at my dining room table, and I was mostly excited about the word count. I tend to babble on. Writing a full story in 144 words was exciting! I read it at the Poe event, never suspecting that in the audience was a young father who’d hear it and recognize something about himself.
I wonder if he has any idea how much our two minute conversation moved me, and continues to, six years later.
People write for different reasons. Too often I heard writers say their book is not great art, or it’s just a story to entertain, or they don’t write literature. I don’t know that anything I’ve written is great art, or wildly entertaining, or literature, but something you write may touch another person. That’s a gift. If that person tells you, that’s a greater gift.
Joshua, wherever and whoever you are, I have never forgotten you. When I write, you are the imaginary person I write for, no matter the subject. I hope your child is healthy, and you and your wife are happy. Because of what you did for me, whenever a piece of writing moves me, I try to tell the author.
Has someone ever given you a compliment that felt more like a gift than a piece of praise? Has a piece of writing moved you? Did you tell the author?
PS – “Countdown” was published by the Wilmington News Journal in 2013, to promote the Newark Arts Alliance’s Open Mic. You can read it here.
My micro-fiction piece, COUNTDOWN, was included in an article celebrating April as National Poetry Month and highlighting a new open mic series offered by the Newark Arts Alliance. Delaware’s Poet Laureate JoAnn Balingit devoted her column in the News Journal to Newark Open Mic.
I was pleased to be included and quoted in the article, and to offer my work alongside poems by Beth Evans and Maria Masington.
What is an Open Mic?
An Open Mic is an invitation to artists to share their work. Open Mics may follow a reading or musical performance, when the floor is opened to the audience.
An Open Mic can be good or it can be cringe-worthy. For a politician or public figure, an open mic can be a “gotcha!” moment when their raw, honest whisperings are inadvertently captured by a live microphone. For a police station dispatcher, “Open mic!” is what patrol officers yell into their own mics when the dispatcher forgets to key off before discussing her love life with whoever is nearby.
For an author, an Open Mic is a chance to share work with a receptive audience. There are different types of Open Mic opportunities: Continue reading “How To Tame an Open Mic”
Because I am away at a conference today, I am going to cheat and repost a guest blog I wrote for the Sisters in Crime National website.
It’s a two-part series on How to Give a Public Reading.
Part 1 is called Four Tips for the Performance Author
Part 2 is called Four Tips for the Performance Author, part 2.
All you need now is an audience or an open mic!
Tomorrow’s topic: Sunday is a day of rest. Monday’s topic will be How To Follow Up a Conference.