by Barb, still recovering from her knee replacement, but getting stronger everyday

Hi. Barb here and today I want to talk about that point where plot and character meet–where it becomes apparent to your sleuth that he or she is the only one who can solve the mystery, bring the guilty to justice, or even, save the world (if you’re writing a thriller.)

I’m talking about the Very Good Reason (or VGR).

I first heard about the Very Good Reason in a course taught by writer, editor and teacher extraordinaire, Ramona DeFelice Long. For the amateur sleuth, the Very Good Reason is why she gets proactively involved in (and not just caught up in) the investigation. For a thriller with an everyman or everywoman protagonist, the Very Good Reason is the reason they don’t just call the FBI, the CIA, the Pentagon, etc and be done with it. After…