10 Things to Check Before You Hit Send

RamonaGravitarThe wrong place, the wrong name, the wrong page count….Much of what influences a submission’s acceptance or rejection is subjective. You can’t control the market or a particular editor’s taste, but you can make sure your manuscript gets to the right person at the right address in the right format. Double check the following before you lick the stamp or hit the Send button.

1. Names: Misspelling your own name on your own submission would be embarrassing. Misspelling the agent or editor’s name hints that you are careless. Showing your name on a blind submission can get you disqualified. Review names for spelling, but also be certain a journal or contest wants to see your name on the submission at all. Check the guidelines.

2. Formatting: Pulling out a chunk of pages for a partial submission may monkey with spacing, headers, footers, indent, and margins. Don’t assume your settings will transfer to a new document or to a submission box. Also, remember to remove the extra space Word likes to add between paragraphs, and beware of those off again, on again Widows & Orphans.

3. Contact info: Yours, that is. Do you have multiple email addresses? Does your Submittable account remember what you typed into it last year? Treat every submission as new information, or carefully check what has been stored. Don’t assume what is remembered is remembered correctly or is up to date.

4. Records: Unless it is a revision or resubmission, sending a formerly rejected piece to the same editor, agent, or publication is a faux pas. Who needs duplicate rejections? Submittable keeps tracks of each submission and its status. For other submissions, you can use a spreadsheet or a notebook or a white board and marker—the format doesn’t matter. What matters is to record where, when, and to whom your work has been sent. Don’t trust your memory. Put the piece, the date, the place, and the person in writing, and double check for repetition before you send. Every time.

5. Deadline: Meet it. That means, send off the submission before the deadline. If it’s an online submission, that means the Send button must be whacked one minute before midnight, the day of deadline, at the very latest, and only if you like to live dangerously. (Give yourself 5 minutes or a half hour. Your blood pressure will thank you if you hit a glitch.) If you are sending snail mail, a deadline may mean a postmark or a received by date. Check the guidelines. NOTE: A deadline is equal to a “firm” price at an antique shop. No wiggle room or bargaining. An extra day (hour, month) does indeed matter

6. Payment: If you are entering a contest or there is a reading fee, you do need to pay it. A paper submission will need a check (signed, made out to the right entity and in the correct amount) and attached to the submission. An online submission usually means PayPal. Most of the time, an online submission requiring a fee won’t go through until you pony up with the cash.

7. SASE: In the olden days, writers had stacks of stamped, self-addressed envelopes at the ready for the weekly/monthly/occasional trip to the post office. You may no longer descend upon the P.O. bearing multiple manuscripts, but some venues still work with paper. Check the guidelines. If an SASE is requested, send one. If you don’t, you may never hear back.

8. Cover letter: Who are you, what are you sending, why are you sending it—these three questions get answered in a cover letter. If you’ve met the contact recently, mention it. If you have a personal recommendation from a client, name drop it. If your story has been workshopped by Alice Munro or Stephen King, go for broke. Just make sure you include the genre, title, word count, and other pertinent facts so the recipient can know immediately what is being pitched.

9. TMI: Too much information in submitting means you cc (electronically carbon copy) multiple contacts, and you allow all contacts to see all other contacts. This is TMI because what agent or editor wants to be included in a mass mailing? None. If you are doing a multiple mailing, have the courtesy (and the smarts) to keep that to yourself. Use bcc (blind carbon copy) or, better, send individual emails to individual editors or agents.  Treat people in the industry with courtesy, and as individuals.

10. Guidelines: You’ve probably noticed that guidelines are important. Despite this, every time I attend a conference or a workshop and hear a discussion about submissions, someone (or many someones) beg writers to check the guidelines. Sending the wrong piece to the wrong person is a waste of everyone’s time. Don’t waste everyone’s time. CHECK THE GUIDELINES.

You may note that none of the suggestions above address the actual content or quality of the manuscript. Sending clean copy is another blog post. This one is to make sure it gets to where you want it to go, free of errors, oversights, or shots to your foot.

How To Cite Writing Credentials (when you have none)

What are writing credentials?

Writing credentials are a paragraph or blurb that accompany a submission and include education, professional memberships, writing community activities, and what you’ve had published.

This is contest season, and grant application season, and it’s always submission season, so what do you do if you get to the “where I’ve been published” part of a query and your answer is zilch?

You be honest–and say nothing.

There is no shame in being unpublished. It means you are a new writer, or new to submitting, or you have not yet matched the right story to the right publication. Yes, it may help move your submission to the top of the heap if you have some impressive credentials, but if you don’t, you don’t, and trying to write around that will not be helpful.

So tell the truth. Say nothing about prior publications. You can, if you need a segue, use a line like, “This is my first submission to Printer’s Ink Quarterly.” If I’m an editor or first reader, this tells me you’ve never submitted to us before, and nothing more.

What not to do? Try to mask or cover the publication hole with a cringe-worthy credential. Such as,

~ My grandson really loved this story. (Is your grandson an editor/agent? If not, who cares if he likes it your story. He’s your grandson; you probably gave him cookies while reading the story, so of course he loved it!)

~ I’ve been writing stories since I was five years old. (Okay. That’s nice. Except this is not the Welcome page of your blog.)

~ This is my first submission ever, and an acceptance from you will set me on the path of a  successful writing career. (Wait a minute. Your career path is based on this one submission that I hold in my hand? So if I reject it and you feel like a failure, it’s my fault?)

~ I have a stack of rejections so I hope this is the one to break my unlucky streak! (Please don’t tell this to anyone. You do not want to be Sad Sack, the Writer.)

A query or application is a business proposition. Consider it like a job application. Do you include on your job application “I’ve never held a job before”? No. You leave that part of it blank. The person reading it will figure it out.

This is what a paragraph with no writing credentials may look like:

~ I became interested in beekeeping while working on a honey farm. This story grew out of those experiences.

~ I am a member of Sisters in Crime and a monthly critique group.

~ This is my first submission to Printer’s Ink Quarterly. I appreciate your consideration.

Some things are simple. If you keep it so, you can’t mess it up.

Ramona