Top 10 Tips for Writing for a Short Story Contest

Here comes summer, and that means beach reads!

 Cat & Mourse pressCat & Mouse Press is happily accepting work for its second Rehoboth Beach Reads short story collection, and I am happy to be one of the judges for this year’s contest.

This year’s theme is “the Boardwalk.” A connection to a boardwalk is required by contest rules, but writers do not need to be from Rehoboth Beach or Delaware. You can send a story from wherever you write!

Continue reading “Top 10 Tips for Writing for a Short Story Contest”

Pubbed this Week

While I spend my days writing in my private studio in the Blue Ridge Mountains of Virginia–thank you,  VCCA!–the publishing world carries on.

Three events of note (to me) happened this week.

My Creative Nonfiction piece “Three Hots and a Cot” is the third, and final, part of a trilogy I wrote about a different and difficult path of motherhood. The first two parts, “Sunday Visit” and “Cooperation” were published this past year.

4197“Three Hots and a Cot” appeared on Monday, December 2, in the Winter/Spring 2014 issue of Lunch Ticket, the literary magazine from the MFA program at Antioch University, Los Angeles. Lunch Ticket’s focus is writing, art, and social justice.

LuckyCharms_eBook_082113-200x300Second item of note is the launch of the anthology Lucky Charms, 12 Crime Tales by the Mary Roberts  Rhinehart Pittsburgh Chapter of Sisters in Crime. I had the pleasure of editing the short stories in this collection, and working with a dozen talented, patient, and generous writers from western Pennsylvania.

12997_679511945395212_1183411705_nFinally, an out of the box story in a collection about the evil people who inhabit the world alongside the innocent–and not so innocent. I had a good time stretching my writing wings to create “The Chances” which appeared last week in the anthology, Someone Wicked. The 21 contributors are members and friends of the Written Remains Writers Guild. It was edited by Weldon Burge and JM Reinbold, and published in November 2013 by Smart Rhino Publications.

How To Write a Themed Story

RamonaGravitarWhat is a Themed Story?

A themed story is one written specifically to reflect a particular idea or concept.

Scenario:

You, the author, see a Call for Submissions for a magazine, contest, or short story anthology. The parameters of the Submissions Call lists word count, author eligibility, deadline—and a theme.

~ “This collection will include stories about Grand Canyon National Park.”

~ Or, “The June, 2019 of Write It Right will focus on fathers and sons.”

~ Or, “Send us your true tales of humorous holiday disasters.”

Editors of a publication, organizers of a conference, or judges in a writing contest limit entries or submissions by selecting a central idea for stories. A regional chapter of a national organization may want to publish a themed anthology that highlights their area. A journal may want to shine a spotlight on some particular social issue or historical event. A publisher may want to collect stories about a particular idea to make the finished product easier to market.

There are numerous reasons for calling for themed submissions. Here are some tips on writing for one.

  1. Understand the reason for the theme. When I edited Fish Tales: The Guppy Anthology, the theme was “water where there might be fish.” The choice made sense because the sponsoring organization was the “Great Unpublished” chapter of Sisters in Crime, nicknamed the Guppies. The group name itself is a metaphor, so it was only right their first anthology follow their organizational bond. “Water where there might be fish” is a broad theme, so the stories ranged from ones that included characters slipping on goldfish, to ones set by a lake or pond.

Regional publications, such as literary magazines or anthologies from group chapters, will often seek submissions set in their region—a logical choice that not only highlights their home base but hones in on a market. A smart writer might seek a little-known or underserved event, or write in a specific or personal way about a unique spot in the area.

  1. Respect the theme. That means, it may not be a great idea to take any old story you’ve got moldering in a drawer, and revive it for a submission by plugging in the theme. If you’ve written a story set in the Florida Everglades, can you rewrite it in the Grand Canyon National Park? Is your Mother’s Day tribute to your mom going to work if you revise it as your best memories of Dad?  If you’ve written a story about clouds, does that mean it will work for a theme of storm clouds?

The theme was selected for a reason. Incorporating it in a meaningful way, rather than attempting a plug-in, will make a better story.

  1. Consider the parameters. Take a look at “humorous holiday disasters” as a story theme. If you see this and immediately think of the time you dropped the Thanksgiving turkey on the floor and your dog ran off with it, and your entire extended family chased him out of the yard, and you all ended up at your vegan neighbor’s house eating tofurkey barbeque—that’s matching the theme.

But if you write about the time you dropped the Thanksgiving turkey on the floor because Grandma had a heart attack and/or this gave Uncle Joe an excuse to get drunk and throw Aunt Betty’s cranberry jelly mold through the plate glass window—that’s a holiday disaster all right, but is it humorous?

In short, be sure you read all the words in the theme, and match them with your story.

  1. Consider the big idea. A theme like “humorous holiday disasters” is limiting; a theme like “oceans” or “fish” is expansive. Take the theme “stars,” for example. You can take a literal approach and write about a big ball of incandescent light in the sky. Or, you can take a metaphorical approach and write about a person who is in the limelight. Or, you can begin the story with a character listening to the song “Stars” from the musical Les Miserables and is somehow inspired by it.

A theme is a box. You can think inside the box, outside the box, or you can open the box and crawl out of it carrying a thread.

  1. Write a good story. You can stick to the letter of a theme, but if your story isn’t well written, with an engaging idea and entertaining presentation, it’s not going to fly–even if the theme is “wings.”

In addition to editing Fish Tales, I’ve successfully written to theme a few times. My story “Trust” received the Fiction Writing Award for the Writers at the Beach: Seaglass 2008 conference and was published in Delaware Beach Life magazine. The theme was “oceans.”

Have you written or are trying to write to a theme? Any thoughts or advice to share? I’m listening.